You should not be downvoted for this—you are correct. These are exactly the conversations that film executives are having internally, especially on the buying s

You should not be downvoted for this—you are correct. These are exactly the conversations that film executives are having internally, especially on the buying side. They don’t see it as a Twitter thing entirely, but as an engagement with the social “conversation” and the realities of the marketplace. However, the incentives are primarily fear-based. Why court the risk of a backlash when you could develop something else (they think)?