My theory is that music is something of a "matching puzzle." - using only these tones - and only the intervals between them - I will construct an elaborate y

My theory is that music is something of a "matching puzzle." - using only these tones - and only the intervals between them - I will construct an elaborate yet consistent path - which will stray into a place that's hard to resolve from - then impress you with how I "solve" it -------- So when playing with just intoned, I've applied this theory and it works. I've shown it to friends and they like it... they can't even tell it's just intuned. My favorite so far is using 7/6 and 9/7 as my major and minor thirds. If you multiply them together you get 3/2. Just like you do with 6/5 and 5/4. Pretty cool eh? As long as the first note and the last are familiar, people seem to be okay with it.