> Quite a few parts of it are completely wrong Well, the whole thing is an anonymous email. And the "remixing by the truckload" doesn't seem in evidence given

> Quite a few parts of it are completely wrong Well, the whole thing is an anonymous email. And the "remixing by the truckload" doesn't seem in evidence given the low number of tracks released thus far; there are many more available on Tidal in Atmos currently. > Jazz in Atmos is wonderful. I've been very impressed by the classical tracks thus far, which have mostly used a hint of surround to let you feel as though you're at the front of a concert, with the players in a crescnt moon; and a bit of a delay in the rears to create the sensation of space echoing behind. Some of the rock/pop mixes have been very interesting; the Linkin Park mixes use the surround/rear to create a "voices inside my head" effect where it makes sense on with the lyrics. Robert Palmer actually sounds like a much better singer on the remixes than the originals, with the guitars pushed out to the side rather than stomping all over the singer (whether they applied a little autotune as well, who knows?). I don't much like The Doors, but the use of surround in Riders on the Storm is remarkable. There are some very poor remixes too, but that's the case for any re-engineering. As for the idea that only the original engineer or producer can make something work, well, that's just idiotic on a number of levels.