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There was this character of an aspiring, wanna-be writer in "Plague" (by A. Camus), named Joseph Grand, who obsesses over the first sentence of his novel. He'd
by V-2 5y ago
There was this character of an aspiring, wanna-be writer in "Plague" (by A. Camus), named Joseph Grand, who obsesses over the first sentence of his novel. He'd keep on rewriting it infinitely, never getting beyond it. "Perfection spells p-a-r-a-l-y-s-i-s", as the man said (Churchill, if I'm not mistaken).
For what it's worth, I considered quoting Plague's first sentence here (if it were somehow fitting or interesting), and as I googled it up, I found an article devoted to this very subject: https://theconversation.com/first-sentences-establish-a-contract-with-the-reader-about-what-is-to-come-57984 https://theconversation.com/first-sentences-establish-a-cont...
I didn't find Plague's opener to be particularly inspiring after all, but there are a few other examples.
- devindotcom 5y agoThe Plague's opening is very prosaic, since that's sort of the voice and the point, that even extraordinary events are meaningless except in the importance we attach to them personally. The opening of The Stranger is much more grabby and also revealing for the narration. It has also presented something of a challenge for translators. I like Matthew Ward's "Maman died today." It's accurate, and neatly shows that infantile quality that Meursault's internal narration has.