2 ms·
You're right, from everything I've read, but there are two other interesting data points: (1) The idea of the "midlist novel" or "paperback original" basically
by chipotle_coyote 5y ago
You're right, from everything I've read, but there are two other interesting data points:
(1) The idea of the "midlist novel" or "paperback original" basically disappeared for a couple decades -- these are the old mass market paperbacks that you used to see all the time, about 4.25" by 7", that you almost never see anymore. (So, there was a kind of discounting: softcover books were a lot cheaper, even when adjusted for inflation.) There were authors who made a good living pumping out these midlist books at the rate of one or even two a year. The self-publishing boom has brought this back to a degree as ebook originals, although I've talked to more than a few ebook-first indie authors who insist they need to get out four or more books a year to make a living, so it's arguably harder for most. And of course that "most" is "most of those who manage to make a living that way," which is, well, not actually most!
(2) Short story rates used to be much, much higher than they are now when adjusted for inflation, to the point where there were people who made a successful living selling primarily -- or even exclusively! -- short fiction. I've never been able to get a good read, pun intended, on what happened here, other than a nebulous sense that readers' tastes just changed over the years (the "fewer other demands on attention" you mention was likely a big part of that), and those markets became less viable.
- ghaff 5y agoIn SF, at least, the magazine ecosystem associated with short stories has taken a pretty big hit which means new authors tend to not get into the genre that way. Of course, that's a bit self-referential because "Why did that ecosystem largely go away?" and the answer is that I'm not sure. Though I'll note that a fair bit is online these days so maybe new authors felt that was a better way to build their name. I'd also note that some of the better SF short story writers these days tend to write in a mix of genres and often publish in places like The New Yorker.
- sdenton4 5y agoShort fiction was being bought by magazines with large reader bases. Magazines have essentially died as a medium over the last twenty years, and fiction magazines were on their way out well before then. If you've got a larger reader base and lots of competition, you can pay a lot for content. If you don't, you can't. The various TV subscription services are playing the same game that the sci-fi magazines used to; they pay a huge amount to produce content for recurring revenue, in fairly tight competition with the other streaming services to have the best stuff. (Think the expanse vs the mandalorian vs unbounded quantities of star trek.) The primary medium for consuming sci-fi changed as it went more mainstream, but also magazines died generally.