3 ms·
750 dollars in 1949 is about $9,000 in 2021. Vonnegut had to convince at least two gatekeepers: his own agent and the editor at Colliers. I spent a large chun
by padobson 5y ago
750 dollars in 1949 is about $9,000 in 2021.
Vonnegut had to convince at least two gatekeepers: his own agent and the editor at Colliers.
I spent a large chunk of time a few years back looking into the questions OP is asking, and the ultimate truth I came to is this: whether you're self publishing or going the traditional route, you're going to need some established gatekeepers to support you if you're going to make it.
In 1949, those gatekeepers were traditional publishers. In 2021, we still have traditional publishers, but we also have content curation algorithms, social media influencers, podcast hosts, and platforms like Substack and Patreon. If you can get any of them to put resources into promoting you, you'll have a real opportunity of making it - that is, if what you're offering is any good.
If you can't or don't want to get the attention of those gatekeepers, it doesn't matter how good your content is, no one will ever find you.
- pie420 5y agoYep, in almost every industry it was always been 50% how good you are and 50% who you know. Over time, who you need to know to be successful has changed, and new artists need to adapt, as they always have. Getting an audience is easier than ever in history. That is amazing for hobbyists who just want some readers and recognition, and not great for those who want to earn a living while writing.
- ghaff 5y agoAnd, as in many other creative endeavors, all the hobbyists who just want some readers (or viewers or whatever) end up competing with people trying to put food on the table. Even if individually many do not have much of an effect, in the aggregate they do.
- bluGill 5y agoYou can hustle up who you know. Late night talk shows are looking for anyone who is willing to be interviewed at 2am. And once in a while some big name will happen to have insomnia and notice you. However you have to do 2am shows with no idea if anyone will notice for a long time. While of course writing the next edition.