Agreed. The patterns are the most interesting bits. Actually, just the fact that there exist patterns is pretty amazing. It's unfortunately hard to see them thr

Agreed. The patterns are the most interesting bits. Actually, just the fact that there exist patterns is pretty amazing. It's unfortunately hard to see them through the notation and that made it very unintuitive for me for the longest time. Unfortunately the momentum that Western music notation has, with a few centuries of tradition behind it, means one has to work within that system. There was an interesting discussion I came across on Stack Exchange while writing the article: https://music.stackexchange.com/questions/67730/why-have-sharps-and-flats-instead-of-twelve-notes-with-distinct-names https://music.stackexchange.com/questions/67730/why-have-sha...