4 ms·
hah I had the same problem, finally about two years ago I decided it was time to ween myself off the book. A guy in my area has a small school which is largely
by gooseyard 6y ago
hah I had the same problem, finally about two years ago I decided it was time to ween myself off the book. A guy in my area has a small school which is largely focused on getting players off-book with the top couple hundred standards. It's definitely a slow process at first, but what I think is remarkable is how (even setting aside the blues or rhythm changes tunes) how much faster memorizing new tunes goes once you've done 50 or 60.
I think that I had assumed, perhaps partly because of the existence of the book, that while memorizing pop or rock songs is relatively easy, permanently memorizing standards with a lot of changes was not a realistic thing, but now I know that its really more that the problem space is just larger for standards, and its just a matter of exploring that space for a while that you get familiar enough that you can listen and guess your way through tunes you're shaky on. Now, the book seems like more trouble than its worth on gigs because it takes a lot of my limited cycles to stare at it. But boy did it take a while to get to that point!
- analog31 6y agoI've learned that the changes are actually relatively forgiving. Many of the fake book changes are different from the harmonies that were used when the tunes were show and popular tunes. Also, even if you're a rhythm player, tunes are a lot easier to memorize if you learn melodies. And that helps in two ways. The first is just having a better grasp of the tune, and the second is that if you're unsure of the changes, you can improvise directly from the melody. Granted, as a bass player I can get away with not knowing all of those 7ths, 9ths, etc. "I solemnly swear to play the root, the whole root, and nothing but the root, so help me Dusty Hill."