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I wonder if Max Martin or Dr. Luke have these issues? Is it a matter of the larger the stable of artists and hits you have in your portfolio then the more negot
by taylodl 6y ago
I wonder if Max Martin or Dr. Luke have these issues? Is it a matter of the larger the stable of artists and hits you have in your portfolio then the more negotiating power you have? I'm just curious, I honestly don't know.
- mountain_peak 6y agoAccording to "The Song Machine" [0], track-and-hook has largely replaced singer/songwriter for top hits. The book details how Dr. Luke (a very talented guitar player) himself works with a ProTools tech to lay down beats, chord progressions, and instrumentation, then outsources the melodies to "hook writers/topliners" - the working song is sent to ~20 topliners and they aren't compensated whatsoever unless their hook is selected for a song. Also, virtually all the lyrics are outsourced to lyricists, and so on. It's funny that, in turn, the producers themselves seem to outsource much of the songwriting - it's turtles all the way down! [0] https://www.goodreads.com/book/show/28789721-the-song-machine https://www.goodreads.com/book/show/28789721-the-song-machin...