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Adam Neely released a pretty in-depth video recently with the opinion that Hey Joe is straight-forwardly in the key of E, as long as you don't get stuck trying
by frogulis 6y ago
Adam Neely released a pretty in-depth video recently with the opinion that Hey Joe is straight-forwardly in the key of E, as long as you don't get stuck trying to fit it into a diatonic, traditional Western framework. It's a good watch.
https://www.youtube.com/watch?v=DVvmALPu5TU https://www.youtube.com/watch?v=DVvmALPu5TU
I had an unanswered question after the video -- are there listeners who don't feel that sense of "home" when arriving at the E chord? I certainly do feel "at home" on the E, but I'd be curious to hear others' opinions.
- lc9er 6y agoI think context is important. If you are talking about guitar based music, then E is a pretty safe bet as home. But what if a group doesn’t use standard tuning? The first two examples that come to mind are Alice In Chains and Tool. They use E flat tuning and drop-d tuning, respectively (mostly). When I listen to them, Eb and D are home.
- ragona 6y agoIt feels like home because of the key of the song, not the instrument. Sometimes the guitar is tuned to play a song where the key matches the lowest string, but many songs are of course played in other keys.
- dkdbejwi383 6y agoJimi played in Eb a lot too. Kurt Cobain and SRV too.
- RHSman2 6y agoThat’s cos it sounds heavier but the key is relative.
- coldtea 6y agoThe instrument tuning doesn't change the fact that a song has a key/home. If someone plays it in another key, transposes it etc, it will still have a specific key, just transposed. In this case of course it's about the Jimi Hendrix recorded cover version, not trying to get some key that would hold across all possible versions.
- RHSman2 6y agoI’ve played it a fairly large amount in bands. First time I have heard that it’s in the key of E. Totally makes sense to me especially in the Hendrix version with the semi chromatic bass walk to E.