I adore Last Year at Marienbad. Although I agree with Sofia Coppola that it's inevitably a movie where I doze off a little. That's alright since the entire film

I adore Last Year at Marienbad. Although I agree with Sofia Coppola that it's inevitably a movie where I doze off a little. That's alright since the entire film is like a weird dream. It's refreshing having a film that resists interpretation so intensely. It's utterly surreal, beautiful and tragic, yet without having a singular "correct" reading. Rashomon and Last Year at Marienbad would be an excellent double billing. Hiroshima Mon Amour is another fantastic film. In both films Resnais is so brilliant in his editing, in its non-linearity, in its emotional effect. Frankly he might be one of my favorite directors of the Left Bank/New Wave generation.