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Are you asking if a Record Company would sue someone on the Internet for copyright infringement? They are rather famous for doing so, and more than that, for a

Are you asking if a Record Company would sue someone on the Internet for copyright infringement? They are rather famous for doing so, and more than that, for asking for extremely large settlements. Sometimes calculating the "damages" in completely ridiculous ways like multiplying every view by $50,000. Don't forget what happened to cdrom.com. Literally sued out of existence because they allowed people to upload their own music to the cloud. They couldn't even share it, it was just uploaded to the cloud. Business completely destroyed.

derekp7 6y ago
The way cdrom.com worked is you would upload a fingerprint of your music. Then if they already had a track that matched the fingerprint, they would link that to your account and not require you to upload the whole track. So this was technically not within the scope of what is allowed by copyright law, which is why they got in trouble. Which is kind of strange how when something is "technically" a violation, even if it is within the spirit of the law (or equiv. to what is allowed), the copyright hammer comes down. Whereas when something is "technically" NOT a copyright violation, the hammer still comes down (such as that company that used a bunch of tiny TV antennas to stream broadcast TV over the internet to other markets -- each customer was "renting" one of the dedicated TV antennas and using the internet as a "long cable". Or the company that would dedicate a DVD player to each customer and stream movies across the internet, again claiming the internet was just a "very long cable". They both got shut down hard even though they weren't "technically" in violation).
- jandrese 6y ago
  The whole "they're not physically your bits" argument never made a lick of sense. They never would be after you uploaded them over the Internet. The whole case depended on the Doctrine of First Sale not applying to CDs, so that's what the courts agreed to. The record companies could have gone after second hand record stores, at least the ones that sold CDs, if they wanted to at that point but it was kind of unnecessary because they were already dying.
- AdamJacobMuller 6y ago
  The reason why cdrom.com was sued out of existence was that it became trivial to simply publish directories of fingerprints and upload massive numbers of fingerprints into your account and get access to music you never bought.
  - derekp7 6y ago
    So if they had an algorithm that would ask for a unique fingerprint (say by sampling random parts of the track), then they would have been in the clear? Or, more accurately, would the record labels have been more likely to strike a deal if that was the case?
    - jandrese 6y ago
      The record companies wanted them dead. There was no negotiating. Remember this was back before iTunes. They saw streaming as only a threat.
jessaustin 6y ago
In USA civil courts the wealthier party typically wins. Alphabet is going to be the wealthier party in most cases. Certainly more than "cdrom.com". This was one of the advantages cited back when Google purchased YouTube. https://archive.thinkprogress.org/poor-people-dont-stand-a-chance-in-court-7e46bd4e5719/ https://archive.thinkprogress.org/poor-people-dont-stand-a-c...
- jandrese 6y ago
  So why does Google bother with the false-positive heavy with draconian penalties ContentID stuff then? Oh, because Record Companies are still bigger than people who create content for YouTube.
  - jessaustin 6y ago
    Yes, "why" is a great question to ask, because ISTM Alphabet benefits from being able to blame an essentially unappealable process while it curates content uploaded to its platform by creators. I'm a rancher, and like Alphabet I prefer not to get in extended arguments with my livestock. If blame for the excesses of curation couldn't be offloaded to third parties, creators could form a class for enterprising attorneys. Sure, it's also good to have a ready defense against litigious record companies, but large firms don't have to have just one reason for doing things in particular ways. It is easy to imagine an alternative to the "ContentID" system that would be less capricious and would still make record companies happy.
  - d1zzy 6y ago
    I think it mostly boils down to business loss that they would otherwise incur if they set themselves against those companies and thought them tooth and nail (the actual lawsuit cost would be insignificant). Meaning, no Google/Youtube Music deals with Viacom and potentially other RIAA members.
toast0 6y ago
I think you're thinking of mp3.com. Cdrom.com is the Walnut Creek FTP site.

derekp7 6y ago

The way cdrom.com worked is you would upload a fingerprint of your music. Then if they already had a track that matched the fingerprint, they would link that to your account and not require you to upload the whole track. So this was technically not within the scope of what is allowed by copyright law, which is why they got in trouble. Which is kind of strange how when something is "technically" a violation, even if it is within the spirit of the law (or equiv. to what is allowed), the copyright hammer comes down. Whereas when something is "technically" NOT a copyright violation, the hammer still comes down (such as that company that used a bunch of tiny TV antennas to stream broadcast TV over the internet to other markets -- each customer was "renting" one of the dedicated TV antennas and using the internet as a "long cable". Or the company that would dedicate a DVD player to each customer and stream movies across the internet, again claiming the internet was just a "very long cable". They both got shut down hard even though they weren't "technically" in violation).

jandrese 6y ago
The whole "they're not physically your bits" argument never made a lick of sense. They never would be after you uploaded them over the Internet. The whole case depended on the Doctrine of First Sale not applying to CDs, so that's what the courts agreed to. The record companies could have gone after second hand record stores, at least the ones that sold CDs, if they wanted to at that point but it was kind of unnecessary because they were already dying.
AdamJacobMuller 6y ago
The reason why cdrom.com was sued out of existence was that it became trivial to simply publish directories of fingerprints and upload massive numbers of fingerprints into your account and get access to music you never bought.
- derekp7 6y ago
  So if they had an algorithm that would ask for a unique fingerprint (say by sampling random parts of the track), then they would have been in the clear? Or, more accurately, would the record labels have been more likely to strike a deal if that was the case?
  - jandrese 6y ago
    The record companies wanted them dead. There was no negotiating. Remember this was back before iTunes. They saw streaming as only a threat.

jessaustin 6y ago

In USA civil courts the wealthier party typically wins. Alphabet is going to be the wealthier party in most cases. Certainly more than "cdrom.com". This was one of the advantages cited back when Google purchased YouTube. https://archive.thinkprogress.org/poor-people-dont-stand-a-chance-in-court-7e46bd4e5719/ https://archive.thinkprogress.org/poor-people-dont-stand-a-c...

jandrese 6y ago
So why does Google bother with the false-positive heavy with draconian penalties ContentID stuff then? Oh, because Record Companies are still bigger than people who create content for YouTube.
- jessaustin 6y ago
  Yes, "why" is a great question to ask, because ISTM Alphabet benefits from being able to blame an essentially unappealable process while it curates content uploaded to its platform by creators. I'm a rancher, and like Alphabet I prefer not to get in extended arguments with my livestock. If blame for the excesses of curation couldn't be offloaded to third parties, creators could form a class for enterprising attorneys. Sure, it's also good to have a ready defense against litigious record companies, but large firms don't have to have just one reason for doing things in particular ways. It is easy to imagine an alternative to the "ContentID" system that would be less capricious and would still make record companies happy.
- d1zzy 6y ago
  I think it mostly boils down to business loss that they would otherwise incur if they set themselves against those companies and thought them tooth and nail (the actual lawsuit cost would be insignificant). Meaning, no Google/Youtube Music deals with Viacom and potentially other RIAA members.

toast0 6y ago

I think you're thinking of mp3.com. Cdrom.com is the Walnut Creek FTP site.