The fundamental being in or out of the set is less interesting to me than the (useful, to me in my day to day) distinction between overtones and harmonics. Tec

The fundamental being in or out of the set is less interesting to me than the (useful, to me in my day to day) distinction between overtones and harmonics. Technical misunderstandings really mess up rehearsals so I try to be as accurate as possible with the objective stuff so I can use it to communicate the subjective stuff.