There's a neat thing about a kind of "relative timbre." E.g., if you listen to a solo piano piece, you make some kind of adjustment to the homogenized timbres a

There's a neat thing about a kind of "relative timbre." E.g., if you listen to a solo piano piece, you make some kind of adjustment to the homogenized timbres and are able to focus in on smaller timbral differences. There's a music cognition paper about it somewhere.