> And now, separately but connectedly, we’re focusing on the question of how Dennis coaxed the typography of his dissertation, the type fonts and positioning of

> And now, separately but connectedly, we’re focusing on the question of how Dennis coaxed the typography of his dissertation, the type fonts and positioning of the mathematical notations and layers of sub-and-superscripts, to be as uniform and consistent as they were. Surely this must be epic-level navel gazing. What am I missing?