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I was under the impression that dynamic microphones are much more suitable for non-studio settings, where echoes and other noises happen, as well as for regular
by defanor 6y ago
I was under the impression that dynamic microphones are much more suitable for non-studio settings, where echoes and other noises happen, as well as for regular speech, not music (and that they are actually used on radio stations). And XLR dynamic ones can be connected to a computer even with just an XLR-to-TRRS cable, not requiring phantom power. Or a proper audio interface if one wishes to, not something built into a microphone. Do you have any experience with those, and/or reasons to prefer condenser microphones for speech?
- mikestew 6y agoThe only reason that I use the condenser is precisely because it will pick up my voice without having to shove my face into the mic. Yeah, it picks up my dog barking in the other room. I only used that as an example of what I've got in my office, not as a recommendation. There are a ton of different condenser mics with different patterns, etc., too. But remember, I'm overloading music stuff for MS Teams meetings. I make no claim that it's optimal, just easy for what I've got plugged into the desk. But yeah, for most folks a dynamic is fine, cheaper, and more sturdy. Or a Blue Yeti USB mic. My point wasn't to drill into the details and offer a recommendation, though, other than "wire your stuff, and you'll be loads ahead". What is on the other end of those wires is a separate discussion. And I'm probably not the one to lead that discussion. (I'm a musician, not an orator.)
- PaulDavisThe1st 6y agoYou need a mic preamp somewhere in the signal chain. Sadly, many manufacturers have been pushing "USB mics", which bundle the preamp and an analog->digital converter into the mic body, and they've been very successful at marketing/selling these devices. I say sadly because these devices violate rule #1 of digital audio: there should only be 1 sample clock. The moment you start using these mics in combination with any other digital audio stream (e.g. playback via the builtin or some other audio interface), there are now at least 2 sample clocks, creating the requirement that some software layer does resampling to keep things in sync. Much better to just get a cheap "proper" audio interface, skip the USB mic option, and use a "real" (analog) mic. I leave the condenser/dynamic question for someone else.
- bradfa 6y agoGot any recommendations on "proper" audio interfaces which are reasonably affordable?
- ghostpepper 6y agoNot the OP but I've been very happy with Scarlett Focusrite, both for video calling and hobbyist-level guitar recording
- PaulDavisThe1st 6y agoMore or less any USB interface that is less than 8 years old will work across all major operating systems. You will find lots for sale on EBay. https://www.ebay.com/sch/i.html?_from=R40&_trksid=p2380057.m570.l1313&_nkw=USB+audio+interface&_sacat=0 https://www.ebay.com/sch/i.html?_from=R40&_trksid=p2380057.m... More or less anything from Focusrite, Presonus will serve you well. They'll get the job done until you care about subtle details (which may never be necessary), and might still be fine even after that. If you're using Linux, the only thing to be sure of is that the device is described as either (1) "class compliant" or (2) "works on iPads" or (3) both. Linux users have much to be grateful towards the iPad for, in particular the ban on drivers meant that USB audio interface makers really had to get their act together to ensure that their devices worked with a generic USB audio driver (just like the one on Linux).