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In a subtractive colour model you typically have a fourth channel (CMYK) because simply mixing all three primary colours together still reflects too much light
by Diggsey 6y ago
In a subtractive colour model you typically have a fourth channel (CMYK) because simply mixing all three primary colours together still reflects too much light to get good contrast.
For E-ink the colours don't actually mix with each other, so some basic maths shows that you would have even worse contrast with only three colours in a subtractive model:
Each ink colour absorbs only a single RGB channel, eg. cyan absorbs red. This means that at each location on the display, 2/3 of the light is reflected even when CMY channels are all at their maximum.
I think E-ink is neither an additive nor a subtractive colour model: it can only produce colours that exist somewhere between the extreme primary colours, ie. it's more of an "interpolating" colour model.
The inks probably come in pairs: black/white, red/cyan, green/magenta, blue/yellow. This gives the expected eight primary colours. For each pair, you would be able to pick any mix, eg. 30% black, 70% white.
For the darkest black you would have 100% black, red, green and blue. For lightest white you would have 100% white, cyan, magenta and yellow.
(This would reflect (1/3) * 3/4 + 0/4 = 25%, and (2/3) * 3/4 + 1/4 = 75% of the light respectively assuming perfect inks and equal coverage for the channels, which is pretty decent contrast)
- jmwilson 6y agoRight, but this situation also happens in traditional color printing as well. Ink can't be varied in intensity, so images are halftoned/dithered. Halftone screening is done at a different angle per channel to avoid moire, so there is a mix of true overprinting and places where dots of distinct color are next to each other.