I can't imagine a director like Fincher ever taking it into consideration, but compressibility is a real issue that modern filmmakers should aspire to keep in m

I can't imagine a director like Fincher ever taking it into consideration, but compressibility is a real issue that modern filmmakers should aspire to keep in mind. I ran into this dealing with marketing folks at [bigtechco] where bitrate restrictions were more severe: certain visuals got them very excited, but we had to tell them they just weren't achievable. I don't know much about the video production process, but in the audio world it's standard practice to preview media on a range of devices. Creators would need something similar for video bitrate to avoid the situation Fincher is in here.