3 ms·
I'd say a big thing is how old you are when reading HP. I loved all the books and loved the ending. Over time I started reading Asimov and Vinge and became repu
by kungito 6y ago
I'd say a big thing is how old you are when reading HP. I loved all the books and loved the ending. Over time I started reading Asimov and Vinge and became repulsed by the quality of the whole HP story. One lucky boy doing dumb things and getting away with it, all happening in a world where magic is done in the worst balance between mystic and explained. If I recall correctly, they tried to make the most sense of the Snape's magic spells. Compare the nonsense to the way a young man of 16 years imagined magic in Eragon where I really liked how he tried to keep as much consistency with energy cost and implications. Harry Potter really is just mostly for kids
- st1x7 6y agoTrue. I was around 9 when I got into HP and 15 when the last book came out so it hit me right at the appropriate age where the books get slightly more serious as you grow up but you're still a kid who is into the book universe. The lore or some of the overarching plot points don't make too much sense when looking at them with adult eyes but you still have to give Rowling credit for writing books that are just difficult to put down for someone at the right age.
- webmobdev 6y agoYeah, Eragon did get the "magic world" right in its fantasy series. But then it lost track of the story in its reams of pages ...
- stanford_labrat 6y agoThe almost carbon copy of Star Wars to Eragon really changed my perception of the series.
- wutbrodo 6y agoFor a counterexampel, my personal experience is pretty different. I had read almost every one[1] of Asimov's novels and short stories by the time Deathly Hallows came out when I was 16, and I was still a big enough fan of Harry Potter to finish each book the day it came out. To this day i'm pretty confident I could pick up a Harry Potter book and enjoy it. There are different types of storytelling, and not every kind has to have balanced stakes or world-building that stands up to scrutiny. And it's not like Asimov's work doesn't have similar flaws: as much as I love the scope of the Foundation series, it does settle into a bit of a pattern of setting up seemingly insurmountable challenges and then resolving them through neat changes to the rules of engagement of psychohistory (though as a much more ambitious series than HP, it's more understandable). [1] Literally; I was ravenous
- ouid 6y agoYeah, but the Eragon stories were just one boy's quest to minmax himself.