Ehhhh... I've owned a bunch of digital Leica gear, and I'll flatly say that the M lenses produce some of the best images you'll see from a raw optical pipeline.

Ehhhh... I've owned a bunch of digital Leica gear, and I'll flatly say that the M lenses produce some of the best images you'll see from a raw optical pipeline. A 50mm APO Summicron is an exceptional lens for its optical characteristics; same goes for most of their 'cron and 'lux models. By contrast, Leica's digital M bodies have always been at least a generation behind... at their time of release. The way you deal with this is correct exposure discipline, such that there's less to deal with in post. Newer M bodies have gotten much better, however. The Q is a really interesting line, since I assume it's a collaborative project between Panasonic, Tower Jazz, and Leica. Frankly, the images for both the Q and Q2 are outstanding, and I'd throw down another $5k for a 50mm Q2. If you seriously think an X100V can compete with a Q2 for full pipeline imaging (capture to print), you're nuts. I've personally seen large prints come out of my Epson P800 from an XE-3 + 23/1.4 and my Q2 and the noise reduction artifacts inherent to the X-trans filter are noticeable on paper. If all you're doing is posting to IG or Flickr, Fuji is amazing for the money.