Absolutely. In the olden days, the industry would make direct revenue off of this discovery/remembrance through sampler or collection albums/CDs. Usually chea

Absolutely. In the olden days, the industry would make direct revenue off of this discovery/remembrance through sampler or collection albums/CDs. Usually cheaper than regular media, but not free. What they lost in revenue with YouTube, they gained in the frictionless process of a potential customer tasting or revisiting new material, and the social networking gains through instant sharing to new audiences. I assume the industry has seen this as a net win, and a win-win with their customers. The formal legal protections get in the way, and so they are in practice ignored unless the releases get out of hand. Seems to be working... Same dynamic with archive.org and used book sellers, although there everything is PD. Would be nice for the not-yet-PD-but impossible-to-monetize book content from, say 1930-1980, had the same scheme in place for online content. I suppose the books-to-borrow function on archive.org or the online lending platforms in local libraries provide that function.