For me, it's solidly H. R. Giger - something about the juxtaposition of large smoothly shaded areas and messes of intricate detail, plus the moody monochromatis

For me, it's solidly H. R. Giger - something about the juxtaposition of large smoothly shaded areas and messes of intricate detail, plus the moody monochromatism, and the fact that it has come straight from hell.