Here's a comparison frame: https://www2.bfi.org.uk/sites/bfi.org.uk/files/styles/full/public/image/they-shall-not-grow-old-2018-003-facing-lines-of-soldiers-hal

Here's a comparison frame: https://www2.bfi.org.uk/sites/bfi.org.uk/files/styles/full/public/image/they-shall-not-grow-old-2018-003-facing-lines-of-soldiers-half-colour.jpg?itok=4WPbmKHP https://www2.bfi.org.uk/sites/bfi.org.uk/files/styles/full/p... https://www2.bfi.org.uk/news-opinion/sight-sound-magazine/reviews-recommendations/they-shall-not-grow-old-peter-jackson-imperial-war-museum-world-war-one-archive-footage-revived https://www2.bfi.org.uk/news-opinion/sight-sound-magazine/re... One criticism: "However, it’s a bizarre sight that greets us, and not just because we lose the top and bottom of each frame. The effect is initially impressive, but that soon wanes. Almost every man has a creamy, peachy skin tone, and the grass in each shot is a warm, yellowy green. The sky is blue. If it weren’t for the daubs of bright red blood, and the bomb craters, this would risk being a unnaturally prettified image of war, with remarkably consistent scenery. These are really incredible images – so homogenising them in this way does them a disservice. It’s not easy either to dispel the thought that all these colours (as well as many of the sounds) are simply guesswork: the colour of hair, blankets, signs and wildflowers having been plucked out of the air." (https://silentlondon.co.uk/2018/10/16/lff-review-they-shall-not-grow-old-honours-veterans-but-not-the-archive/ https://silentlondon.co.uk/2018/10/16/lff-review-they-shall-...)