Thanks for checking it out! Trevor Wishart & CDP have been inspirations, I've incorporated some of his ideas surrounding waveset synthesis & transformations int

Thanks for checking it out! Trevor Wishart & CDP have been inspirations, I've incorporated some of his ideas surrounding waveset synthesis & transformations into pippi. Primarily, pippi is the environment I use to compose my own music, and its features and approaches are driven mostly by my own compositional needs & wants. I work often from a "microsound" approach so pippi does have more of a focus on manipulating concrete sound than maybe other systems do. Do the oscs sound good? I think they sound fine, but I haven't worked with any of the products you mentioned. Commercial synths & DSP I think tends to be focused on providing instruments via opinionated complexes of osc, filters, presets etc as you mentioned. General purpose systems like ChucK etc tend more toward facilitating the user in building their own opinionated instruments, so the path from oscs, filters to a sound you like might take more doing, and some more background in synthesis to arrive at. That's not to say some opinionated complexes haven't made their way into pippi... but my goal is to allow myself to build instruments in a flexible way just as much as being able to have an expressive way to orchestrate their movements. I sometimes keep a small personal library of instruments I return to with pippi, but it never tends to last very long. I have a hard time fully disentangling the instrument building side of things from the compositional side of things in my own work. That said, I want pippi to be fun, and useful for others, so including some more preset-like instruments along with the lower level building blocks is definitely in scope for the project! Edit: FWIW the osc I use personally most often is `Pulsar2d` which is an opinionated implementation of Curtis Roads' pulsar synthesis, where both the wavetable and window stacks can be morphed over time. I often feed this with a stack derived via `wavesets.Waveset()` -- which will split a sound at zero crossings into wavesets, optionally at some interval, offset or some limit, so you can for example tap single cycles of some transforming sound over time, and reconstruct the movement of the spectrum of it in some way by morphing the stack as you like with the `Pulsar2d`... The next set of tutorials is overdue and will cover synthesis (microsound and otherwise) in more detail!