4 ms·
> This will probably be a very unpopular opinion Not because of Bob Ross, but because it's based on the false premises of what is today (as in: last hundred ye
by acqq 6y ago
> This will probably be a very unpopular opinion
Not because of Bob Ross, but because it's based on the false premises of what is today (as in: last hundred years) considered and accepted as art.
In the previous and this century, not only the artist displayed objects that were extremely easy to produce, they were also able to display the objects even not produced by them as their art.
1917:
https://en.wikipedia.org/wiki/Fountain_(Duchamp) https://en.wikipedia.org/wiki/Fountain_(Duchamp)
Not to mention that the "performance" and the items used in performances are also considered art.
https://en.wikipedia.org/wiki/Performance_art https://en.wikipedia.org/wiki/Performance_art
A lot of text, articles, books, papers etc were written about all that during last 100 years.
Of course there are many experts and books evaluating some specific works and their "artistic value" but nobody can claim based on the arguments you gave that something has "close to zero artistic value."
A counterexample for the opinion of experts at the given point of time:
https://latimesblogs.latimes.com/culturemonster/2009/10/moma-owns-up-to-warhol-rejection-letter-from-1956.html https://latimesblogs.latimes.com/culturemonster/2009/10/moma...
These works could have low current "market" value, but I don't think that was tested up to now.
- camillomiller 6y agoThey are figurative paintings. As figurative art, they’re at best mediocre, maybe slightly above average. So if you value them based on their intrinsic value as paintings, they definitely can’t stand on their legs. That is why I elaborated the concept further, saying that their artistic value comes from them being remnants of a multimedia performance, which is indeed of astounding artistic value if considered holistically as Bob’s lifetime-long work of art.