> why consonant chords that are mathematically slightly dissonant actually sound much better than chords with perfect mathematical consonance. Probably because

> why consonant chords that are mathematically slightly dissonant actually sound much better than chords with perfect mathematical consonance. Probably because we're used to hearing music in equal temperament, so we associate it with "correct" harmony, whereas something like just intonation sounds a little weird and off (but I ultimately find myself preferring it? Wtf?)