You could be forgiven for mistaking this for just about anything Erik Spiekermann has designed. I find this style of squashed humanist sans-serif to be so unint

You could be forgiven for mistaking this for just about anything Erik Spiekermann has designed. I find this style of squashed humanist sans-serif to be so uninteresting. You’d think there would be more variation in character to be found in that space, but something about making a condensed sans-serif in this style makes everything look... cautious and indistinguishable. Fitting for an organization like Goldman Sachs, I suppose.