Yeah but there is a good way to pull it off, and there is a bad way to do it. E.g. the Room also has the premise that it is SO much more about than what is on t

Yeah but there is a good way to pull it off, and there is a bad way to do it. E.g. the Room also has the premise that it is SO much more about than what is on the surface, but we all know that's a delusion and that the Room is a shallow piece of movie. M. Drive doesn't give that impression, we're left with "wait... what was this about?" feeling which, to me, means it's a great movie. If I left the movie with "this doesn't make any sense, someone must have had a stroke editing this movie" then it would be bad. I think Predestination is an example of movie that is done in a similar vein but is significantly worse (than M. Drive) as in if you hold it to some scrutiny it's clear there is no deeper meaning and it's just intended to be "mind-blowing" or whatever it means. Another example is David Fincher's 1997 movie The Game. Many directors tried this, yet none pulled it off like David Lynch. IMHO. Just my 2 cents. I'm a movie layman.