That's almost for the best. The representation of non-European ethnic facial features / skin tones in renaissance art appeared to mostly be one of two groupings

That's almost for the best. The representation of non-European ethnic facial features / skin tones in renaissance art appeared to mostly be one of two groupings: 1) Accurate, naturalistic portrayals that almost certainly had an actual human sitting and; 2) Color choices / features that are to humans of other skin tones, what that picture of a cat in the still life painting is to our feline friends: https://twitter.com/chelsesaurusrex/status/995127939585851392 https://twitter.com/chelsesaurusrex/status/99512793958585139... There are some really interesting examples in this article (although explicitly African): https://thewalters.org/wp-content/uploads/revealing-the-african-presence-in-renaissance-europe.pdf https://thewalters.org/wp-content/uploads/revealing-the-afri...