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Thanks for the summary on Gibson's new work. I really needed some clarification because I couldn't really get a sense of the plot in this one (Agency). The char

Thanks for the summary on Gibson's new work. I really needed some clarification because I couldn't really get a sense of the plot in this one (Agency). The characters don't really have an impact on anything...They do nothing in particular except move around to/from various locations, focusing on the aesthetic detail of their surroundings, more than driving the story forward (What would a new Gibson novel be without mention of Japanese denim?). I suppose since most of the characters that make up our present (stub device) are being strung along by the stub masters from the future, that they really have no idea of what's going on/ or at stake. That's understandable, but apparently in the future, stubs are created and manipulated to the whims of their admins and aren't really important, but rather as a 'hobby'. Makes the whole struggle to 'fix' our stub seem kind of pointless.

lpah4all 6y ago
Yeah, reading The Peripheral first is essential IMO, just like watching Star Wars is necessary before The Empire Strikes Back. And who doesn't want Otaku denim made on heirloom looms ;-) Personally, as a software craftsman, I appreciate anyone who dedicates themself to craftsmanship. Japan seems to have a great deal of very dedicated craftspeople (NHK Online videos rule!), and Gibson is definitely a word- and idea-smith, Otaku-grade. [[And because people need things to watch nowadays, our family personally loves NHK Online's shows 'Design Talks Plus' and 'Trails to Oishii Tokyo', as well as Grand Sumo. We find them fascinating glimpses into a very different culture, one that seems to honor craftsmanship in a way we, as Americans, find beautiful.]] As to the characters not having 'an impact on anything', that's really how it's always been, unless you're a part of the klept. The only question is, "How you developed yourself in your lifetime to fight oppression and seek to uplift the most disadvantaged?" Because, if you don't, you're just a poorer version of the callous bastards that run the power organizations that do have an effect, effects that have, for example, facilitated global heating for short-term profit at the expense of the rest of us and our heirs. [ETA: To see the klept in action, check out the parallel HN story about Bloomberg killing reporting on CCP officials getting wealthy in office.]

lpah4all 6y ago

Yeah, reading The Peripheral first is essential IMO, just like watching Star Wars is necessary before The Empire Strikes Back. And who doesn't want Otaku denim made on heirloom looms ;-) Personally, as a software craftsman, I appreciate anyone who dedicates themself to craftsmanship. Japan seems to have a great deal of very dedicated craftspeople (NHK Online videos rule!), and Gibson is definitely a word- and idea-smith, Otaku-grade. [[And because people need things to watch nowadays, our family personally loves NHK Online's shows 'Design Talks Plus' and 'Trails to Oishii Tokyo', as well as Grand Sumo. We find them fascinating glimpses into a very different culture, one that seems to honor craftsmanship in a way we, as Americans, find beautiful.]] As to the characters not having 'an impact on anything', that's really how it's always been, unless you're a part of the klept. The only question is, "How you developed yourself in your lifetime to fight oppression and seek to uplift the most disadvantaged?" Because, if you don't, you're just a poorer version of the callous bastards that run the power organizations that do have an effect, effects that have, for example, facilitated global heating for short-term profit at the expense of the rest of us and our heirs. [ETA: To see the klept in action, check out the parallel HN story about Bloomberg killing reporting on CCP officials getting wealthy in office.]