I was working in college radio and writing for The Onion back when OK Cola came out. I think the money that went into this makes most sense framed as a type of

I was working in college radio and writing for The Onion back when OK Cola came out. I think the money that went into this makes most sense framed as a type of generational panic combined with technological transformation. The early Gen Xers were entering the workforce with a set of behaviors / values that felt unfamiliar & perhaps threatening to Boomers. Boomers began to feel uncool, out of touch and no longer culturally adept in the way they always had previously. This is nothing new, but I think it might be particularly wrenching when it finally happens to a demographically large and dominant cohort. Millennials, let me know how it works out. More importantly rapid changes in technology caused corporations to lose control of media distribution for the first time. Widespread availability of personal computers / microchips caused media creation and distribution costs plummet in publishing, music, and film production/distribution. New insurgents like Fantagraphics, hip hop, college radio, indie rock, The Onion, The Stranger, Might, indie record labels and indie movies could route around large corporations to find an audience and build a business. Capital was still needed, but was orders of magnitude less than it had been for prior generations. The resulting panic was deepest in the industries connected to entertainment, including those that depended on it for marketing. It seems absurd, but consumer brands convinced themselves that not only would Xers reject traditional media & advertising - they’d reject the previous generations products as well. There was sincere worry that millions of kids would stop drinking Coke & Miller Lite. Ad agencies helped fuel this panic as it brought with it an opportunity to pry large accounts away from incumbents. This period didn’t last long, but it did birth a number of experiments like OK Cola, most of which were conceived as experiments and strategic contingency plans. For a brief and shining moment, there was some decent money and cultural cachet showered upon a bunch of smirking early 20s Xers whose only qualifications were helming a late night college radio program. It was wonderful to see Daniel Clowes, Charles Burns and other generation-defining artists get some well-earned money if not recognition.