Kayfabe is such an important concept in this historical moment! To me, the “audience” is the most interesting component, and the “performers” are almost irrelev

Kayfabe is such an important concept in this historical moment! To me, the “audience” is the most interesting component, and the “performers” are almost irrelevant, except to the extent that they must provide some fantasy that (ever so nominally) purports to be reality (or lies purporting to be truth). The psychological process by which the audience fully commits to and “believes” the fantasy, while at the same time being fully aware on some level that the fantasy is obviously untrue is fascinating, and deserves much more attention and research. Obviously, this is closely related to the idea of doublethink, but kayfabe gives more agency to the audience. Rather than being forced to engage in doublethink by big brother and an authoritarian government, kayfabe “believers” are all together with each other the agents of their own delusion. I think the biggest contributor to whether someone “buys in” to a kayfabe fantasy is their capacity for conformity; seeing the rest of the crowd treat the obviously untrue fantasy as if it were reality gives the individual permission, or “cover”, to participate in the fantasy themselves. I’m guessing anyone reading this knows what non-wrestling kayfabe scene I’m talking about—except maybe those who are already participating in it themselves—and even for those folks, well, it all depends on what “knows” means, doesn’t it?