I think I get what the OP meant, or at least I have my interpretation of it. I used to be fairly blasé about pirating software, justifying it with the belief t

I think I get what the OP meant, or at least I have my interpretation of it. I used to be fairly blasé about pirating software, justifying it with the belief that the prices were just too high. I came to believe that was really a pretty weak justification. I went through a somewhat similar change of belief later when it came to video; it's easy to talk yourself into the belief that copying TV shows and movies for free is somehow a strike against big corporations, but unless you're up for entirely reinventing the way our economy works, at the end of the day somebody really does have to pay for those shows and movies to be created, and pirating them is essentially declaring "I want to enjoy this work, I just want somebody else to pay for me doing so." But: There are cases where you might want to give your money to a creator or publisher and you literally can't. Up until a few years ago, no amount of money would have been able to get you the whole series of WKRP in Cincinnati on DVD, especially with the original music, for instance. The soundtrack for The Last Unicorn was never released on CD anywhere but Germany, as far as I can tell, and it's become a rare, expensive collector's item. There are hundreds of TV shows like this, thousands of movies, thousands of records, thousands of novels, thousands of programs -- and I'm probably vastly underestimating each of those categories. Their analog releases, if they were ever made, are long out of print and they were never officially released digitally. And, I'll admit, in those cases I'm perfectly okay with piracy. The rights holder either can't or won't release it, and you can't get it legally. One can argue in such a case you'd have a moral obligation to buy an official release if and when it's made, perhaps, but that may never happen. If what