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This is great, exactly what I've been trying to do but there's never enough time and now the second kid is on the way... I guess I'll have to just find that ext
by easymodex 7y ago
This is great, exactly what I've been trying to do but there's never enough time and now the second kid is on the way... I guess I'll have to just find that extra time somehow because you got me excited again.
One question:
What did you use for the guitar amp? I personally use Guitar rig and I keep getting lost in all those infinite guitar sounds. I'm worried my songs won't sound cohesive if I experiment too much and have a different setup (or several) for each song. Do you just pick a few sets like a clean sounding one, dirty sounding one and stick with them through the whole record (maybe add some unique effects here and there) or does it not matter?
- deleted 7y ago[deleted]
- dsr_ 7y agoRule of thumb for any sound situation, live or recorded: give yourself a limited palette so you can sound consistent. If you want an album to sound like it's all one piece, you use the same instrument and processing for it all the way through -- except for that one time that you want to highlight it. In visual terms, you want the grass on the left side of the painting to be the same as the grass on the right side of the painting, unless you deliberately want to say something about the grass. You should only be drawing people's attention to what you want them to be looking at.
- deleted 7y ago[deleted]
- deleted 7y ago[deleted]