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Spoiler alerts are a 20th century invention. Everyone has been taught to get angry about spoilers, but the very word "spoiler" itself is an internet invention c
by jordigh 7y ago
Spoiler alerts are a 20th century invention. Everyone has been taught to get angry about spoilers, but the very word "spoiler" itself is an internet invention coined in Usenet. The idea of society at large working hard to keep a fictional story secret is a marketing ploy invented by Alfred Hitchcock to sell more movie tickets to his mystery films. It used to be common to know everything about a story before you even experienced it, and there is evidence that despite what people say, they actually enjoy stories even more if they know beforehand how the story ends.
http://www.wired.com/2011/08/spoilers-dont-spoil-anything/ http://www.wired.com/2011/08/spoilers-dont-spoil-anything/
If a story isn't worth reading if you already know the ending, it's not worth reading without knowing the ending either. Good stories cannot be spoiled. Good stories are not merely puzzles to be savoured for a single punchline.
We also enjoy stories we already know well. It's why James Bond movies keep getting churned out despite all following the exact same formula or why Shakespeare plays are still in production centuries after they were written. Only bad stories are ruined by knowing the story.
- lightedman 7y ago" but the very word "spoiler" is an internet invention coined in Usenet," Spoiler as a word was around in avionics well before UseNet even existed.
- jordigh 7y agoObviously I mean in the meaning of "spoil a story"; of course the precise sequence of characters of "ess, pee, oh, eye, ell, ee, are" existed before.
- schnevets 7y agoThis is a fascinating perspective I never really considered. The implications of "Spoiler Culture" on modern storytelling and consuming entertainment really are massive. The seasonal buzz about Christmas movies has me dwelling on the paradox between the backlog vs. the new release. 21st century entertainers are competing against an entire century of modern culture available to viewers in a second. How is it that my home has Netflix, HBO, and Hulu, and yet my wife and I are still paralyzed about what to watch every night? Why do we naturally lean towards the fresh thing on the front page? Movies and other art forms are just bandwidth now, so Hollywood has to artificially set the value through marketing and buzz. It seems like every studio is combating this existential threat in different ways (Sunday night dramas that trigger water cooler conversations, visually stunning films that are meant for the big screen, twist-filled plotlines, podcasts and other media focused on discussing the "latest episodes").
- ardy42 7y agoAnd even without spoilers, one often already has a pretty good idea of the ending not even halfway into a movie. As far as I'm concerns, spoilers should be avoided only for works where there's a prominent Sixth Sense-like twist.