3 ms·
Why does he conclude that we need 4 primary colors? He knows that our eyes have three kinds of 'sensors', which roughly correspond to [R, G, B]. How the brain p
by steadicat 16y ago
Why does he conclude that we need 4 primary colors? He knows that our eyes have three kinds of 'sensors', which roughly correspond to [R, G, B]. How the brain processes the initial perceptions, allegedly [R-G, (R+G)-B, R+G+B], doesn't change the fact that you can approximate all colors by mixing quantities of R, G and B.
What I'd find more interesting is a proposal (or a mention) of a color space that's based on what are, according to him, the 'computed' values. Something like NTL (tiNt/Temperature/Luminance), where N is R-G, T is (R+G)-B, and L is R+G+B. (The names 'tint' and 'temperature' are taken from photo editing software, as they are the only tools I can think of that come close to this system.)
- cwp 16y agoActually, this kind of encoding is quite common. Analog television, digital video and JPEG images are all encoded using brightness, red-green and blue-yellow channels. The details vary (eg. between YUV, YCbCr and YPbPr) but they all take advantage of the fact that our eyes are more sensitive to variations in brightness than to variations in colour. As a result, we can subject the colour data to higher levels of compression without noticing any visual degradation of the image.