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Kubrick's films before 2001 (Spartacus, Paths of Glory, etc) tended to tell the story with words and pictures. From 2001 on, with the notable exception of Barry
by bwanab 16y ago
Kubrick's films before 2001 (Spartacus, Paths of Glory, etc) tended to tell the story with words and pictures. From 2001 on, with the notable exception of Barry Lyndon, he seemed to become obsessed with imagery, or as you say, creating visual poems (and even Barry Lyndon with its simple plot was a visual powerhouse), but I'm afraid his storytelling became secondary.
For those of you who haven't read Clarke's book 2001, you should consider putting it on your list. As garyrob has implied, it's very different from the movie - very concrete - and yet, possibly as a result, almost more hallucinogenic than the film could ever be.