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Imagine you're a wealthy man in late 19th century Europe. You own a nice neo gothic home in the fancy part of the city. Like other wealthy men, you too dabble
by puranjay 7y ago
Imagine you're a wealthy man in late 19th century Europe. You own a nice neo gothic home in the fancy part of the city.
Like other wealthy men, you too dabble in collecting some art. You own a few romantic pieces with exceptional craftsmanship. You proudly display them in your living room amid all your fancy, ornate furniture.
But something is amiss. All your artwork starts looking the same. And why wouldn't it - all these artists have honed their craft at similar art schools. They look good but they've started looking a little repetitive. Like something out of a factory.
You have to see artists like Matisse in this context. Try placing yourself in the shoes of someone from their period. Realistic art was dead because there can't truly be any further innovation in it (and the camera would make it obsolete anyway). The themes, the styles, even the figures had been all tried and put on canvas over the last several centuries.
A Matisse in this context is very new, very exciting, and very full of life. It's bright blue in dimly lit 19th century homes. It's a yellow dancing figure in a room that has only see scenes from the Bible and Greek myths painted.
This is the reason why its art.
"Looking pretty" is just craftsmanship. If it makes you feel something - even acute hatred - its art.
- thedaemon 7y ago"if it makes you feel something, it's art" is not correct at all. This is what I'm trying to state. Art is craftmanship then to you, since you can't understand that art requires skill or talent.
- puranjay 7y agoMy man saying that someone like Picasso did not have skill or talent is just the height of absurdity. All of these guys went to some of the most prestigious art schools around. They had all the raw skills to paint like any of the classicists, but they didn't because that was boring and dated.