Has anyone tried to take the parameters of an FM synthesis chain as if they were the hash of a particular timbre? In other words, you start with a recording of

Has anyone tried to take the parameters of an FM synthesis chain as if they were the hash of a particular timbre? In other words, you start with a recording of the sound you're after and then just start brute-force iterating through the parameter choices until an analysis of the output looks close enough to the input? I mean, fftw3 takes about a full minute on my Chromebook to measure the quickest algo. So I'd hope that generating output analyses would be fairly snappy...