“This exhibition shows how these images are part of a long tradition of capturing people’s images without their consent, in order to classify, segment, and ofte

“This exhibition shows how these images are part of a long tradition of capturing people’s images without their consent, in order to classify, segment, and often stereotype them in ways that evokes colonial projects of the past,” Paglen told the Art Newspaper. Odd that the images were removed for being categorized as the project intended.