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Kojima seems to have two distinct sides. One is pure genius, the other is not so great. The former made Policenauts, Snatcher, Metal Gear 2, MGS, MGS3, Peace Wa

Kojima seems to have two distinct sides. One is pure genius, the other is not so great. The former made Policenauts, Snatcher, Metal Gear 2, MGS, MGS3, Peace Walker. The latter fired Jeremy Blaustein, David Hayter, came up with vampires and flying whales for no good reason, wrote endless unnecessary cut-scenes for MGS4 that take themselves too seriously, came up with the script for MGS5.

tombert 7y ago
I'm convinced that no one really knows what the hell happened at the end of MGS2. The story flew so far off the rails that I stopped playing the games in the series after that.
- agent008t 7y ago
  I was the same. Only nearly a decade later did I give MGS3 a go, and was not disappointed - it was more like MGS1 than MGS2 and is one of the best in the series. MGS4 follows right in MGS2 footsteps and I would say better skipped. Peace Walker is surprisingly good, although parts of it towards the end get tedious. MGS5 goes back to weirdness, although a particular sniper's story line has some merit to it.
  - tombert 7y ago
    I actually think that Ghost Babel (the Japanese name) on the Game Boy Color is a really underrated game. It's worth checking out if you have avoided it because of it being a portable game. It has a fairly elaborate story, a delayed intro scene, and actually pretty decent graphics for the GBC.
- 0xcde4c3db 7y ago
  Parts of it are deliberately nonsensical (you essentially just drugged an AI that has the ability to feed false information to your senses), but yeah, even the "real" parts are pretty wild. If you haven't seen it already, you might get a kick out of the "External Gazer" side story added to MGS2: Substance, which is widely regarded as self-parody of that aspect.
  - tombert 7y ago
    Yeah, I was referring to the "real" parts; I understand that the "I NEED SCISSORS 61!!!!" stuff is purposefully trippy, but the cutscene with the woman who can deflect bullets but not really then you're suddenly swordfighting with your father or something because of the internet(?) really confused me. I'll check out External Gazer.
theguppydream 7y ago
Kojima's a good example of how limitless creative freedom doesn't produce the best work. Tarantino is another. Even the best creative minds need a voice questioning whether a vampire licking a knife over and over again is a good addition to a spy thriller.

tombert 7y ago

I'm convinced that no one really knows what the hell happened at the end of MGS2. The story flew so far off the rails that I stopped playing the games in the series after that.

agent008t 7y ago
I was the same. Only nearly a decade later did I give MGS3 a go, and was not disappointed - it was more like MGS1 than MGS2 and is one of the best in the series. MGS4 follows right in MGS2 footsteps and I would say better skipped. Peace Walker is surprisingly good, although parts of it towards the end get tedious. MGS5 goes back to weirdness, although a particular sniper's story line has some merit to it.
- tombert 7y ago
  I actually think that Ghost Babel (the Japanese name) on the Game Boy Color is a really underrated game. It's worth checking out if you have avoided it because of it being a portable game. It has a fairly elaborate story, a delayed intro scene, and actually pretty decent graphics for the GBC.
0xcde4c3db 7y ago
Parts of it are deliberately nonsensical (you essentially just drugged an AI that has the ability to feed false information to your senses), but yeah, even the "real" parts are pretty wild. If you haven't seen it already, you might get a kick out of the "External Gazer" side story added to MGS2: Substance, which is widely regarded as self-parody of that aspect.
- tombert 7y ago
  Yeah, I was referring to the "real" parts; I understand that the "I NEED SCISSORS 61!!!!" stuff is purposefully trippy, but the cutscene with the woman who can deflect bullets but not really then you're suddenly swordfighting with your father or something because of the internet(?) really confused me. I'll check out External Gazer.

theguppydream 7y ago

Kojima's a good example of how limitless creative freedom doesn't produce the best work. Tarantino is another. Even the best creative minds need a voice questioning whether a vampire licking a knife over and over again is a good addition to a spy thriller.