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I handled tech for 'Hollywood' companies for years. In a broadcast operations center, or a less-than-handful number of transfer houses, would monitors costing
by imperialdrive 7y ago
I handled tech for 'Hollywood' companies for years.
In a broadcast operations center, or a less-than-handful number of transfer houses, would monitors costing 10K+ be found.
Average cost of ingest bays would be minimal with 12" or less screens for doing a little QC on intake.
Edit bays would be dual screens costing 1-2K a piece from 1999-2010, then gradually less as LCDs matured. Color calibration was taken seriously, but not to a science level. 500 for a calibration device and run it 2x a year.
Money went to chairs/couches/desks, then other room aesthetics. Never spent more than 5K on a single workstation, and at that price point were nearly fully loaded.
Storage is where it gets steep now. Apple used to offer solutions, but they were baaaaad.
I still say, good for Apple releasing this gear. They employee a lot of bright people so this really can't be a fail. It sure looks pretty too.
- simonh 7y agoBroadcast is completely the opposite end of the pipeline from where you'd find reference monitors. They'd be used during production and editing, particularly by colour specialists.