I would have preferred to have seen this described as a contrast match, followed by a brushmark style match. The jury is out as to whether harmony is even a thi

I would have preferred to have seen this described as a contrast match, followed by a brushmark style match. The jury is out as to whether harmony is even a thing. No two definitions of this phenomenon agree, and some are actively at odds. Moreover, as a term it has a very dodgy history, being associated with new age types like Goethe, Kandinsky, Johannes Itten, Madame Blavatsky etc all. Colour Contrast is a fascinating enough topic not to require such embroidery. I like the results. However, I would have preferred to have seen them tested on more painters that were not post impressionists or impressionists. For this kind of work, such artists are low hanging fruit... too stylistically overt, and too dependent on saturated hue.