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If you're working on recording projects on linux, why the heck are you using Audacity? Seriously, save yourself a lot of headaches with Ardour.
by bitbang 8y ago
If you're working on recording projects on linux, why the heck are you using Audacity? Seriously, save yourself a lot of headaches with Ardour.
- danilocesar 8y agoArdour++ life changing when I started using that for multitrack recordings..
- fuball63 8y agoThanks for the tip, I'll check it out.
- abaga129 8y agoReaper is also available on Linux now! It's my go to. Not free, but has an unlimited trial. If you decide to buy it, the $60 license is practically a steal.
- hellcow 8y agoI've tried using Ardour, but I've never been able to get it to work with my USB Snowball mic. It starts with audio out, but once I configure my mic, it's input only and I have to restart the program to hear anything I've done. No other program I've used has ever behaved like this. I'm sure it has terrific features, but it'd be great if they could nail the simple out-of-the-box configuration.
- eropple 8y agoIf you're a musician, I'm pretty surprised you're using a USB mic. Particularly a Snowball--it's designed mostly for spoken-word. Ardour works fine with an Audio Technica AT2100 USB (I tried it and can verify that it uses the standard USB host drivers without complaint) for both I/O and works out-of-the-box with most of my audio interfaces and an XLR mic.
- CharlesW 8y ago> If you're a musician, I'm pretty surprised you're using a USB mic. Particularly a Snowball--it's designed mostly for spoken-word. My 2¢: Based on my experience with podcasters, I wouldn't recommend a Snowball for beginners doing spoken-word recordings. This is a "worse is better" scenario where a cheap dynamic will give you better out-of-the-box results than a condenser mic like the Snowball, in part because it forces speakers to get closer to the mic (increasing the ratio of signal to ambient noise), and in part because dynamics usually can't record anything over ~15 kHz (spoken word tops out around 8 kHz). A Snowball is fine for folks savvy enough to use an EQ to roll off everything over, say, 10 kHz during production.
- eropple 8y agoI wouldn't recommend one either, to be clear. ;) My recommendation for a podcaster is either the AT2005USB or ATR2100USB, which are both decent-quality cheap dynamic microphones that have a USB sound card inside of them for easier real-time monitoring (but can both be used as XLR mics later if you expand). What I meant was that Blue is positioning it as that entry level podcast microphone. Which is, in its way, weird; it's a really strange microphone to try to work with and it just looks silly. I alternate between an sE V7 dynamic, a Blue Encore 200 "active dynamic", and an AT2035 at my desk for recordings. The Blue is something I'm just testing but the other two microphones are great for different things. (Anyone who hasn't checked out a sE V7 should; for my money it's the best thing in the "SM58 range" of dynamics, with a really clear sound for a dynamic. And the damned thing won't roll off your desk if you have it handheld...)
- bitbang 8y ago
- etg34525 8y agoThey didn't give enough details on their musical process. I'm an Ardour user, but sometimes audacity is the right tool for the job. Depends on what you need.
- fuball63 8y agoThanks for the tip, I'll check it out.