Hm... here's a question: The G# minor fugue in Book II of Bach's WTC has a rather long sequence around the circle fifths. It starts on E# minor. Did the well-

Hm... here's a question: The G# minor fugue in Book II of Bach's WTC has a rather long sequence around the circle fifths. It starts on E# minor. Did the well-tempered tuning system open up the possibility for Bach to start writing longer chromatic sequences like that? Would that sequence have sounded out of tune in the meantone tuning system?