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As a Nikon user, I have no direct experience with Magic Lantern (always a bit bummed about that) but I was also wondering the same. I don't know if these are p
by soylentcola 8y ago
As a Nikon user, I have no direct experience with Magic Lantern (always a bit bummed about that) but I was also wondering the same.
I don't know if these are presets or something done in post-processing, but it almost looks like the video equivalent of filter plugins in some cases.
I'm by no means an expert but color grading video is often a detailed process with a lot of room for finding your own creative "vision". Think of the split toned, green/orange aesthetic that was popular in movies for a while. Doing the color grading can have a major effect (good, bad, or just different) on the mood of a video.
In these examples, I was definitely impressed with some aspects of how curves were adjusted to bring up shadows and make details more visible. But at the extreme end, it reminded me almost of the overkill seen in early HDR photography.
Some tweaking can make things look more realistic and bring out detail but it is very easy to go too far and end up with something that looks like an Instagram filter.
That's mainly why I was wondering if the video examples were in-cam presets when running Magic Lantern, or if it was something the videographer did in post with the extra data captured with the higher bit depth enabled.
- cormacrelf 8y agoYou can’t use in-camera presets if you want RAW. That was shot RAW, with the expanded bit depth that Magic Lantern affords. Then, it was loaded onto a computer and graded. I personally only use the presets to get more depth out of the space-efficient photo/video encodings by lifting blacks before they get cut off or turn out so dark you can’t get accurate colour out of them, or to do that in the digital viewfinder only before saving as RAW. The more finished-looking presets are fun for previewing but not all that useful otherwise.