As I said, in critical theory, rigor often takes a back seat to rhetorical argumentation and polemic writing, but the point still obviously contains a lot of tr

As I said, in critical theory, rigor often takes a back seat to rhetorical argumentation and polemic writing, but the point still obviously contains a lot of truth, not only in the examples she named but I suspect that a great deal other searches yield images used to advertise products or stock images (which are also used to advertise products) or pictures used in blog articles (often used to make money with ads). The author spends a lot of time talking about how this isn't specifically to do with the female body, it's to do with society today as an accumulation of images (c.f. Marx's accumulation of commodities), the commodification of the female form being only one aspect of that, but perhaps one of the most egregious and useful rhetorically, since it is objectionable to many people in the way that less obviously pernicious examples (e.g artwork being commodified) are not. I really think you're missing the point here; the existence of counter-examples does not invalidate the point. For instance, a discussion of power dynamics in sex is not invalidated by the existence of females taking on a dominant role rather than a submissive one. Rather, sometimes the phenomenon can occur due to it rather than despite it. Images that resist commodification do not exist in spite of commodification as a "gotcha" counterexample, it's possible they exist due to pervasive commodification making them attractive. You can already see this with the obsession with "home made" foods sold in supermarkets. I think it's also very uncharitable (and a pretty poor reading) to dismiss critique as "not liking how it works". The point is that the Internet shouldn't work that way.