4 ms·
The headline is not apt, the piece is not really making a strong case "against" Chopin. There is a slight attempt to build up some illusion that Chopin was once
by WhompingWindows 8y ago
The headline is not apt, the piece is not really making a strong case "against" Chopin. There is a slight attempt to build up some illusion that Chopin was once not held in high esteem. Well, that is a very weak argument indeed, as he was a child prodigy touring Europe in his teenage years, and then subsequently was very well known to the other famous romantic composers, most of whom thought he was a true genius of melody, finesse, and a master of chromaticism and narrative piano writing. Look no farther than Liszt's storied relationship with Chopin, they played together at salons and gatherings, they played each others works. Similarly, the Schumanns loved Chopin's work. He achieved a very high fee for teaching as well, there were numerous very wealthy Parisians eager to have training with him. Furthermore, there was and is a very, VERY strong tradition of classical pianists playing his works. Consider Debussy's performance of the fourth ballade at his conservatory, when it was stated he performed it as if "without hammers". So, no, there is no case against Chopin's mastery, this headline is click-bait.
The linked article is really a pseudo-book review of the recent biography "Fryderyk Chopin: A Life and Times" by Alan Walker.
- stochastic_monk 8y agoAs a pianist, the suggestion that Chopin or his études are not held in high esteem for both technical and musical merits is simply ludicrous. His technique paved the way for Liszt and Debussy études, and Godowsky expanded their utility. Most technique after him is influenced by him in some way.
- vertline3 8y agoHe was painted by Delacroix as well, and he was kind of an important painter. So it means he was likely somewhat esteemed.
- WhitneyLand 8y agoTo my thinking the parent comments too easily blur the notions of "is not" held in high esteem", and "was not". In his day it's acknowledged his work was appreciated, the article mentions his patronage. However, imagine present day people in your field who are respected as luminaries. They take time to publicly disparage your work. Despite his supporters, it could have easily been traumatic to him personally and professionally. Could he have been more successful or inspiring to young composers otherwise? In general it's quite a sad theme. I hate to see this same story so recurrent throughout history. In the 21st century we've finally simplified the concept to one word: "haters". Criticism is just as important as praise, but not when it's unbalanced or done unproductively. Why as human beings must we treat each other this way and close our minds to things that are don't fit a mold? The damage to individuals is never fully visible and the cultural price is never fully known.
- deleted 8y ago[deleted]