2 ms·
It's important to note that jazz musicians tend to think as much in terms of relative harmonic and melodic movement as absolute pitch. I have a decent repertoir
by jdietrich 8y ago
It's important to note that jazz musicians tend to think as much in terms of relative harmonic and melodic movement as absolute pitch. I have a decent repertoire of standards, but I honestly couldn't tell you what key any of those tunes were written in.
https://en.wikipedia.org/wiki/Roman_numeral_analysis https://en.wikipedia.org/wiki/Roman_numeral_analysis
You're possibly being a bit harsh, but only a bit - being able to transpose on the fly is a fundamental skill in jazz, akin to sight-reading in classical music. I can't sight-read particularly well and would embarrass myself in a classical rehearsal, but I can instantly transpose a lead sheet into any key and I would expect the same of anyone who expects to be called a jazz musician rather than a jazz student.
- rewgs 8y agoThanks for pointing that out -- that's such a cleaner way of presenting the argument I was trying to make. Doh. Yes, when I was learning standards, I learned them by harmonic analysis, not by literally learning them in all 12 keys. If you know that it's ii-V-I, any reasonably good musician should be able to do that in all 12 keys off the bat. Thus, you simultaneously know the tune better, and the problem of transposing disappears. Well said!