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I used to work for the foundry, which is the equivalent of Adobe, but for the film industry. Before that I worked at a number of VFX houses. What I love so mu
by KaiserPro 8y ago
I used to work for the foundry, which is the equivalent of Adobe, but for the film industry.
Before that I worked at a number of VFX houses.
What I love so much about listening to "filmies" is that their insistence that film grain is authentic. (fortunately this video is matter of fact, unlike the vast majority of people spewing out opinion on such things, the presenter actually seems to know what they are talking about)
Most of the film grain you've seen in the last ten years (possibly since about 2000) is fake. Certainly if there is any VFX work, then the film grain has been "degrained" and then put in back afterwards. (I'm not talking monsters, I mean set extensions, sky removals, general touchup.)
And yes, that even includes movies that were shot on real film. Which was most films up until about 2010-12
The best part, most film grain you see is the work of maybe three people. https://www.fxguide.com/featured/furnace_discreet_-_beta_program_starts/ https://www.fxguide.com/featured/furnace_discreet_-_beta_pro... This is from 2003.
- rebuilder 8y agoI usually do my grain matching with a custom gizmo I've made. But then again, I'm a compositor, so I'm not so much concerned with grain as an artistic tool as I am with matching whatever the original footage looked like. I use my own grain gizmo for grain matching. More accurately, noise matching, since it's pretty rare for me to get plates shot on film these days, and the digital noise modern cameras produce is quite different from film grain, so film grain tools don't necessarily do a very good job matching it. At least that's been my experience. Edit: But yes, mostly if you can see grain in a big budget feature film, it's been added afterwards, as the production quite likely didn't even use a camera that produces film-like grain.